Summer Teachers

In the summer of the ’90s, I was a teacher in our neighborhood.

Ann and I became friends one summer in 1994. She was already in her early years of high school while I was still in Grade 4. Although our family had already lived in the neighborhood for two years, I did not know other kids.

One day, Ann and I sat together reading and writing. She learned that I loved books. She saw that I read and wrote well, so she invited me to join her in teaching the younger kids in the neighborhood. I said yes.

Three times a week in the summer afternoons, Ann and I were teachers in our small makeshift classroom just beside their house. We set up small wooden chairs in a row behind a long wooden kitchen table. We had a small black board in front and a little standee beside it where we flipped manila papers for the visual aids of our lessons. Ann and I taught different subjects, but mostly reading and writing in English.

Ann introduced me to the class as their English teacher. I brought my books and read stories to the younger kids. I taught them how to read. I guided their small hands in writing letters and then forming words. With some older kids who were still struggling with their phonetics and subject-verb agreements, I taught them to read, write, and speak better.

It was one class for all ages. We usually had around five to ten kids in the classroom. It was all done for free. Ann and I never got any reward or payment. I’m not sure if the children’s parents even knew their kids were still going to school in the afternoons. Our Purok president and Barangay Captain probably did not even know, but we did it all with pure gladness and without much thought.

I can’t remember how Ann and I planned for our lessons. I think we didn’t have any. I just brought my books. We asked for the kids to bring their pens and papers. Everything just flowed from there. Ann’s mother was a public school teacher. That was probably where Ann got her teaching skills.

For two summers, Ann and I taught in our makeshift classroom. We didn’t have any measure for success except that before the summers ended, we were seeing how the kids became better at reading and writing.

After classes, we would all play together. I became friends with other kids. We were students and teachers, but we were all playmates. It was still like school, but this time I was the teacher. When I went home, it would be just in time when my Mamang and Papang also went home from work. At our dinner table, I would tell my parents stories of how my day went.

In one letter that I have kept until today, Ann wrote about how grateful she was she found me that time. She finally had a co-teacher. She said that she would often tell her Mama how amazed she was that at such a young age, I was already advanced in my reading, writing, and public speaking. She said I was a great teacher.

Soon enough all the kids started growing up including Ann and me. There was no longer a summer for the neighborhood, just summers for each of us to experience. Even though we were neighbors, we hardly saw each other. We stopped becoming summer teachers. Our classroom closed. The students were all grown up. There was no longer a need for teaching.

I have not seen or talked to Ann for years. I’m not even sure if this is still a shared memory between us. But I now look back to this memory with fondness. These summers were my first experiences of what it meant to be part of a community.

How does a community begin?

We tend to label certain experiences as coming from the need to help or to give, but positioning yourself as a helper or a giver changes the perspective. Ann and I were not helpers or givers. We did not teach because we saw a problem that needed to be solved or because we wanted to impress the other kids or their parents. We taught because we enjoyed reading and writing, and we found kids who enjoyed the same things but needed a little more attention than us, and so, we shared what we had.

We were merely sharers more than being givers or helpers. We shared our knowledge, resources, and time. We all shared in the fun. There was no measure of success and no expectation of a reward. It was the simple gift of community.

Positioning and distinction between sharing and helping matters. Helping suggests filling what is lacking. Sharing suggests using or apportioning available resources at the same time.

Perhaps that is why community forms more naturally when sharing rather than in helping. They begin when there is little to no agenda, only having something in common and making it available to others. The word community is derived from the Latin communis, meaning “common” or “shared by all.”

Looking back, that was what we built: a small summer learning community. We did not start because of a vision, strategy, or plan. We did not need a structure, agenda, or rewards. What we had were people who had a common love for learning. Out of that common love, we shared our knowledge, time, resources, willingness, and presence. And as it turned out, it was enough.

As for myself, sometimes, plagued with strategies and ideas, I find myself believing that I need to be excellent before I can get the job done. I seem to always need to know the prerequisites first before I can even say yes. But once in my life, I was a summer teacher, not because I was qualified, not because I wanted to serve, not because I was an excellent visionary and strategist, not because I had a cause to drive, but simply because, I wanted to share what I knew with a group of people who wanted to take part in it, and that was enough.

These days, a table awaits on Thursday nights for people to gather around. I prepare and would later find myself unfit and unqualified. But I thank God for helping me retrieve this memory as a reminder that the simple means of gathering and sharing even one thing in common is already enough. The summer classroom of 12 gifted me with a lasting lesson for the table of five. And so I come to the table and wait. I save space for others to join. We will all share what we already have.

Still

25 and young
40 and almost done
15 and grateful still.

Inputs > Output

The input is greater than the output.

Last week, I created slides for our revised documentation process at work. To highlight what happens in each phase of the process, I included a list of the inputs, outputs, and skills required for each phase.

There was a clear imbalance. The list of inputs outweighed the list of outputs. One output even required more than ten inputs, often coming from multiple sources. The inputs required to produce the output demanded a combination of technical expertise, analytical thinking, global communication, strategic planning, and a considerable amount of people skills.

Work is a mirror of life. We focus on the output, set goals, and define objectives. We name the dreams we long to manifest or pray hard for, yet we forget to account for what it takes to accomplish them.

When we picture the life we want reflected in another person, we only see the output. We fail to account for what it took for one’s becoming.

We read a published article or a book, but the published work leaves no ink trail for the number of discarded drafts, the hours of research, the notes and revisions, and the frustration one feels in constantly searching for the right blend of words to illustrate and make an idea clear and revelatory.

We see someone finally get their dream job, but we see no traces of the tears surrendered in prayer. One job offer does not reveal the uncertainty of countless applications sent without receiving any response or the rejections received along the way.

We attend an event and judge it mainly by whether it was successful in satisfying its target audience, but we forget the volunteerism and unpaid effort dedicated to the cause of service.

The steps taken to move through the process and progress to the next phase are doable, but the input always far outweighs the output.

Let this be a simple reminder that the next time we aim for an objective or set our eyes on a goal, may we never fail to assess and include a list of the required inputs. Ask yourself whether you are willing to do what the process requires.

It is good to dream and pray for what we truly want, but it is also good to pray the daily prayers for sustenance. Pray for guidance in the process. Pray for wisdom for the next step. Pray to walk in partnership with God along the way. Pray for the impossible, but pray for what it takes to transform it into a possibility.

Our God is a God of miracles, but He is also a God of the everyday miracles. He is the God of small provisions, everyday mercies, and daily faithfulness. The miracle is not always found at the last stage. Make sure you let God surprise you every day.

The output may satisfy our need for accomplishment, but it is the inputs that make us who we are.

Flora Field Notes #11: Fire Tree Flower

  • Name: Fire tree/ Flame tree/ Royal Poinciana
  • Local names: Kabalyero/ Arbol de Fuego/ Puno ng apoy
  • Scientific name: Delonix regia
  • Not native to the Philippines

Interesting Facts

  • Tree:
    • The tree is named after its visual appearance when in full bloom, with bright red to orange-red flowers covering the tree, making it look like the tree is on fire.
    • The tree typically blooms during summer, which is around April-May in the Philippines.
    • The tree can grow up to 10-15 meters tall, and forms a broad, umbrella-shaped canopy that spreads wider than its height, providing good shade and shelter.
    • It produces feathery, fern-like leaves, which give it a soft and airy appearance.
    • There are mixed opinions on whether this tree should be considered invasive.
      • Generally, it is not classified as invasive because of its controlled spread and it typically does not invade or displace the vegetation in undisturbed habitats.
      • Some ecologists argue that it may potentially be invasive because it provides little support to the local biodiversity.
      • Ecologists discourage planting Fire trees because they are not native to the Philippines. They also have shallow root systems and brittle wood, making them less effective for flood control. They have poor storm resistance and may get uprooted or fall, making them potential hazards during typhoons.
      • Ecologists instead encourage the planting of native trees, such as the Philippine Narra tree and Molave tree, to name a few.
  • Flower:
    • The flowers grow in clusters at the ends of its branches.
    • Each flower has four similar-sized petals and one larger, upright petal called the standard. See sample photo here.
    • The flowers are often bright red to orange-red and sometimes may have yellow or white streaks on one petal.
    • The fallen petals create a red carpet effect on streets and sidewalks.
    • Rare varieties can bloom yellow instead of red, though this is uncommon.
    • During its peak blooming season, the tree may have fewer leaves, making the entire tree overpowered by its red blossoms and looking like it is on fire.

Sightings & Stories

It’s June and it’s almost the end of summer here in the Philippines, which means it might also be the end of the blooming season for the Philippine Narra tree and Fire tree. Here in Cebu City, these two trees are often planted in the same areas, lighting up roads, highways, and open spaces with a contrast of bright red and golden blooms. The pavements and the ground become carpeted with red and yellow petals.

Summer is the perfect time to observe the fire tree because of its intense visual presence. From the entanglement of its above-ground roots, the skin and bends of its trunk, the architecture of its branches, its wide canopy of flowers and leaves, and, impossible to miss bright-red-to-orange flower clusters, the fire tree is a sight to behold, especially against a bright blue or golden summer sky.

All the photos in this post are by Jeff Garban (https://saltandbleach.com/ | @saltandbleachit on Instagram).

Field Notes

One quirk I noticed about the Fire tree is its trunk. To me, it looks like the skin of a Komodo dragon. (Not that I’ve personally seen a Komodo dragon. I’ve seen them only on nature shows, but their skin was the first thing that came to mind when I looked closely at the tree’s trunk.)

Seen from afar, to me, a Fire tree looks like a standing Komodo dragon breathing flower fires to the sky. It is the only visual imagery that keeps replaying in my mind whenever I see these trees, and it makes me look at them with a kind of childish glee and wonder.

And because I can’t draw, I prompted Gemini to generate this image for me, and help visualize my imagination:

The Fire tree looks striking and brilliant when viewed from a distance, but when viewed from underneath its canopy, the structure of its light and airy leaves and empty spaces between its flower clusters are perfect filters for catching sunlight. Underneath the tree, the sky looks like a sparkling powder blue canvass painted with golden red loosely shaped bright star flowers.

I captured no scent from the fire tree flowers. I touched a petal, and it feels soft, smooth, and with a trace of a wrinkly texture.

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This post is part of a mini project called Flora Field Notes: notes and observations on Philippine flora.

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This post also joins Terri Webster Schrandt’s The Flower Hour.

Book Notes: The Friend – Sigrid Nuñez

Now nearing the end of Sigrid Nuñez’s “The Friend” and I am suddenly wishing not to part with it yet. What started as convoluted diary-like entries, plotless and seemingly pointless, now make complete sense. Memory is unreliable and yet, memory is also sometimes a welcome tormentor, provoking us with a necessary remembering of pain and emotional maladies.

I now understand where our unnamed narrator is rooted, where all these writings sprouted. All this talk about literature and writing, about dog and pet facts, random trivia, author perspectives and stories, all these are nothing but forms of grappling, attempts at rationalizing, and of validating that the mind is still functional despite the internal disarray.

Grief reveals itself in the nonsense, the rage, the ranting, the stream of consciousness, the lack of flow, and the spiraling. All of these writings and thought patterns speak the untranscribable language of grief. All good writing suddenly felt empty when stripped to the bare minimum because on page 112, it was all she needed to say. And I felt that to the core, the ache of this familiar dialogue resurfacing.

All the good words were coverups for what was simple and true: the yearning, the longing, the missing, the grief. All that remains is the grief.

Now, dear self, this emotional weight you carry is what you get for reading literary fiction. Congrats. You’ve succeeded in your plans of rebuilding your emotional muscle. Keep going.